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Issue 10 - Environments

Editorial

Collaboration and Confluence: a multidisciplinary approach to environmental scenography by Jerrard Smith, University of Guelph, Canada

Scenography and the Problem of Representation by Donald Cameron McManus, Emory College, Canada

Space is Scenography by Reija Hirvikoski, University of Helsinki, Finland

Narrative, transformative, mediated: The Hybrid Spaces of Scenography by Thea Brejzek and Lawrence Wallen, HGZK, Zurich, Switzerland

Working at the Interface of Art and Technology: The Dilemma of Theatre and Theatre Designers by Iryna Kuksa, University of Warwick, UK

The Nature of Scenographic Communication: artist, audience and the operation of scenography by Joslin McKinney, University of Leeds, UK

Issue 9 - The Stage and Visual Arts

Editorial

Site into Stage: Artist Dorothy Cross at the Opera by Robin Lydenberg, Boston College, USA

The Opera Models and Designs of David Hockney: Art or Set Design? by Fiona Mathers, University of Leeds, UK

Fuzzy Borderline: A Comparative Study on Contemporary Visual Art and Stage Design by Ming Chen, Kennesaw State University, USA

Contrast and Conflict: A Modus Vivendi of Theatre Design (and the World?) by Harry Feiner, City University of New York, USA

Arrivals and Departures: The Bus Project, Intentionality and Effectiveness in Technology-based Performance by Kathleen Irwin, University of Regina, Canada

The Mise en Simulacrum of Jean Baudrillard by Gavin Semple, University of Calgary, Canada

Issue 8 - Scenography & Performance - Special Issue

Editorial by Alison Oddey

A Willingness to be Silent by Alison Oddey, University of Northampton, UK

Revitalizing Philippine Tradition for Contemporary Performance by Joycie Alegre, Philippines

Giacommetti's 'The Palace at 4am' (1932-33) as a Stage Design by Ruth Marcus, Tel Aviv University, Israel

Who's Directing Who? The role of the Designer and Director in Masked Theatre by Sally Cook, University of Northampton, UK

Levels of Visuality by Ian Watson, University of Chester, UK

Issue 7 - Digital Media and Scenography

Developing a Multi-Media stage for small theatre companies by Dan Zellner, Northwestern University, Illinois, USA

Small Theatre - Large Vision by Dan Zellner

Directing and Producing Theatre with the help of Virtual Reality by Joanne Tompkins, Queensland University, Australia.

Teaching Performance in the Digital Age: Interactive Technologies, Improvised Spaces and Transformations in Human/Computer Relations by Kathryn Farley, Northwestern University, Illinois, USA

Digital Modernism: Scenography - at the end of the Day - Christine White, Loughborough University, UK

Issue 6 - Culture to Culture

Josef Svoboda's Scenography for the National Theatre's 1997 Production of Goethe's Faust : Postmodern or Merely Contemporary? by Jarka M. Burian

A Conversation With Jaroslav Malina by Bruce Speas, University of Tennessee, USA

A Tribute to Josef Svoboda by Jarka M. Burian

Concepts in Spatial Dynamics: Robert Wilson's dramaturgical mechanics and their relation to the visible on stage by Dr. Stephen Di Benedetto, University of Houston

Issue 5 - Paint, Light and Meaning

Kandinsky's Stage Composition as a Total Work of Art by Julia Listengarten.

Light and Dynamism in Futurist Art and Scenography - The realization of Futurist theories in art and on stage by Ruth Markus,Tel-Aviv University.

Space, light and sound in performances of Leszek M'dzik's Scena Plastyczna KUL as the innovation in Theatre Design by Dominika Larionow, University of Lodz, Poland.

Tradition and Innovation in the Early Designs of Mordecai Gorelik by Anne Fletcher, Southern Illinois University, USA.

Issue 4 - Digital Scenography

Roma's Talk by Roma Patel (49mb Download)

Issue 3 - The Third Day

Introduction to The Third Day The Ferens Fine Art Lectures by Robert Cheesmond

To Behold the Swelling Scene The Emergence of 'Scenography' in Twentieth Century Theatre by Robert Cheesmond, Hull University, United Kingdom

Actors As Scenography by Pamela Howard, Emeritus Professor, Central School of Art, London.

The Theatre Comprehension Process: Movement in the Theatre Space by Christine A. White, Loughborough University, United Kingdom

Deconstructing Scenography, Finding the Language : A Case for Clasical Rhetoric, the rhetoric of Berkoff's Metamorphosis by Ellie Parker, Director, United Kingdom

Millennial Pursuits; scenography as theatre and public performance by Christopher Baugh, University of Kent, United Kingdom

Designing by Numbers: the use of computers in the development of designs for the stage by Gavin Carver, University of Kent, United Kingdom

Issue 2 - Architecture and Practice

Filling the Empty Space:Inclusion and Exclusion in Theatre Architecture by William F. Condee, School of Theater, Ohio University, Athens, Ohio, USA

The Role of Theatre Design: Towards a Bibliographical and Practical Accomodation by Joslin McKinney, Bretton Hall College of the University of Leeds

Theatre Design But Not as We Know It: The Scenographic Process as an Integral Part of Making Meaning in Theatre by Alison Maclaurin, University of Loughborough, United Kingdom

Issue 1 - New Departures

Edward Gordon Craig and Patent 1771 by Christopher Baugh, Gavin Carver & Cat Fergusson for KIDDS University of Kent at Canterbury, UK

Automated Lighting Meets Kandinsky by Mary Tarantino, Ohio State University, USA

H. Th. Wijdeveld and the International Theatre Exhibition of 1922 by Peter Eversmann, Department of Theatre Studies University of Amsterda , Holland

The Changing Scenographic Aesthetic by Christine A. White, Loughborough University, UK

The Drawing Board - Report from Prague by Robert Cheesmond, Hull University, UK